Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Munchi

SURPRISE MOTHERFUCKER!! A big ass piece of text you didn't want to read anyway!!

So this year marks 5 years that I made this track. Time sure fucking flies yo. It's kinda ironic if you think about it, since I was super pissed as a fan listening to Datsik's "Firepower" as a shitty ripped version - it drove me insane. Only to actually get the motherfucker years later. Now unintentionally I am doing the exact same fucking thing, the only difference being that I took even more years. My bad man -___-. You would think that this almost prehistoric piece of music would sound dated 5 years later lol, but sadly to my surprise things haven't changed that much.

It kinda made sense to put this one out there since, well, look at the fucking name! The final version that is, since there are a couple of ripped concept versions flying around there. That concept version was the one I gave Dillon right after I made it back then, and he kept playing it over the years (thanks 4 the love bruh! <3).

Anyway, why did I make this shit? Well, around the same time I was obsessed with Swizzymack's "Like A Martian". Like literally, on repeat. Forever. When it wasn't on my MP3, it sure was stuck in my head. Always. Even while playing gigs, I still had that shit in my head. It was getting outta hand. So I had to do a little something about it. It wasn't caused by the fact that Lil B apparently got his dick sucked in the sky like a martian or that he considered himself a pretty bitch after his goon days. No, this entire fucking track was based solely on that little switch you hear around 1:44. That shit introduced the best part of the song and it drove me fucking NUTS. Instant one man mosh pit irl. There wasn't any more to it ahahah!

So since that was the inspiration, I had to add some Club elements to that bitch keep it really straightforward and not over master it to keep the hype lyfe. Oh and the lasers you ask? That was a lil inside joke, since people were drooling over the fucking lasers back then. No matter what genre. I HATED THEM SO FUCKING MUCH YO LOL.

The cover was actually the video that we were trying to do reeeaaallly last minute. After the U-Haul video didn't work out at such a short notice, I found myself at a quickly organized houseparty where I invited everyone that wanted to come via my fanpage and basically went ham on everyone using 40's as if they were a champagne bottles lol. Before all of that tho I was running on rooftops in Brooklyn. Yeah, I don't even remember why we did that part haha. In the end it never got out there, but it still was a real fun ass day. s/o to all the people that showed up that day!

So in celebration of the death of them piuww piuww lasers I'm releasing - nah, I'm playing haha - I'm releasing this just as a lil something since I realized some days back that it was exactly 5 years ago that I made this. A nice lil surprise at the end that you guys haven't heard before. Especially for all you old ass dudes out there jamming with your cane, reminiscing the good old days when you wore your bluetooth headset forever attached to your ear. I know that you knew that that one was coming haha. Inkoppertje toch?

So live and direct from a random McDonalds (I gotta stop doing this) and as always not eating jack shit in this bitch, coming for that assssss straight outta 2012 lol. All of that, while listening once more to Swizzy's "Like A Martian" remix. Why the fuck not. You should too asshole. #sinmiedo

Selegna Records

Guess Who's Back

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