Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Burr Oak

Jakes

Multiplex

KNARS

Prequel: "The Dawning Path" or “The Mercenary's Oath”

As the sun rose to crest the horizon and cast long shadows across the desolate plain, five figures shrouded in the dust of their exploits rode towards the rising light. Sonny Jim and Scruggs, two amongst them known for their sharp eyes and quicker guns, led the group of mercenaries. At their sides rode a trio of compatriots; Eli "Deadeye" Brown, a sharpshooter with a calm and steady demeanor, Big Jack, a towering brute whose strength was matched only by his loyalty, and Finn "Redbeard" O'Reilly, a redheaded cowboy with a long, fiery beard and a knack for nitroglycerin.

"Jim," Scruggs said, breaking the silence. "Ever think 'bout what brought us here?"

Sonny Jim adjusted his hat, squinting at the distant mountains. "Reckon it's the same thing that drives most folks—need for coin, and a thirst for something more."

Their early days as mercenaries had been a blur of contracts and confrontations. They had carved out a reputation as relentless hunters, willing to take on any task for the right price. This reputation had now brought them to the bustling town of Copper Creek, a frontier settlement teeming with traders, prospectors, and more than its fair share of rogues. It was here that they received their next assignment—a wealthy patron seeking protection for an expedition into the untamed wilderness, and a chance for them to delve into the mysterious lands that lay beyond the known territories of the country that they called their home.

Inside the Copper Pot Saloon at the heart of town, a portly man with a nervous disposition introduced himself as Dalton, their would-be financier. 

"I've heard tales of your exploits. I need men of your caliber to ensure the safety of my venture,” came his opening pitch. Though of shrewd business acumen, Dalton’s tone ran wary in the face of the veteran mercenaries he now spoke with. 

Scruggs leaned back, eyeing the man carefully. "What exactly are we protectin', Mr. Dalton?"

"Artifacts," Dalton replied, lowering his voice to a whisper. "Ancient relics said to hold unimaginable power. We believe they are located deep within the Heartland Woods, in territory no sane man would dare venture alone."

Sonny Jim exchanged a glance with Scruggs. They both knew the risks, but the promise of wealth and the allure of the unknown were too tempting to pass up.

Some days later, as the Dalton convoy embarked on its first forays into the Heartland Woods, the mercenaries remarked on the foreign energies that suffused the trees that surrounded them. Their branches intertwined to create a canopy that filtered the sunlight into shifting patterns on the forest floor. The wind that whipped through them whispered into one’s ear as though an everpresent voice, and the deeper that the convoy ventured, the more this voice seemed almost to speak in whispers of an ancient and long-forgotten past.

As they continued through the treacherous terrain, fending off wild beasts and under the constant threat of a bandit raid, the group proved their mettle, each member’s abilities finding purchase in defending their expedition. Sonny Jim’s instincts gave warning to Deadeye Brown’s unerring aim, whilst Scruggs expert navigation guided the brute strength of Big Jack and the explosive temperament of Redbeard O’Reilly against the group’s obstacles as a nail guides the blow of a hammer. 

Deeper and deeper the group ventured, and though they grew accustomed to the environment that now enveloped them none could shake the presence that had followed them within these woods from their very first step.

One night, as they camped by a clear stream, Scruggs turned to Sonny Jim. "These woods... they ain't natural. Feels like they're watchin' us."

Sonny Jim nodded, his gaze fixed on the flickering flames. "There's a power here, old and restless. We need to be on our guard." 

Story by Gwen Kubik

Burr Oak, KNARS, Multiplex – Dystopia 2.0

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